Yesterday I had an all too brief glimpse into the mind of one of the most fascinating creatives in Istanbul — someone who successfully blurs the line between art, architecture, design and craft — in what might well be the most distinctive style I’ve seen anywhere in years. At some point I will have to do a full exploration and profile of Sema Topaloglu’s Cibali workshop and showroom. Her work environment is a veritable wonderland of organic shapes and materials, prototypes and projects. You’d almost think you were standing in a special effects workshop for a motion picture, except that the materials are not made of foam and cardboard, and she’s not creating illusions, so much as fabricating a new physical reality in media such as Black Sea hardwood, raw iron, glass and marble. There are huge mushroom lamp models, wood blocks representing a neighbourhood planning project she’s working on, multi-level tables … glass and iron objects all coated in a layer of sawdust fresh from her usta‘s saw table. There are so many compelling things to look at that it’s hard to isolate your focus to one spot. Furniture swings open to reveal elaborate tool bits that look like a chest of ninja throwing stars. Although I’ve written about Sema before, she hasn’t been standing still for more than a nanosecond since I last saw her. She’s too busy blurring the lines between what creativity and professionalism, art and architecture, design and craft can be. Take a look at some of Sema’s projects here.