Yigit Ozsener is a busy man. I’ve been wanting to talk to him about his trade for some time, but his schedule is tight. The day before we meet, he’s up at 5am to get to a Sapanca location shoot which doesn’t allow him home before midnight, in order to shoot an 8-page scene in the blazing heat, and looks significantly darker than two days before when we talked about doing an interview. He’s down to the final two episodes of his latest series, the acclaimed 25-episode Son (Final), before a much-needed hiatus.
“I’ve worked non-stop for three years. No vacations,” he says smiling, and without the faintest whiff of complaint on the ferry to Kadiköy. The actor loves what he does, but didn’t always know he wanted to be a thespian. Originally from Izmir, on Turkey’s mellow Aegean coast, he did his undergrad in communications and electrical engineering and progressed as far as an MBA at Yildiz Technical University. “I joined the theatre club, but I didn’t like acting as a hobby. I soon quit and focused on my studies.”