• A Dream Named Thessaloniki II

    April 3rd, 2012

     

    I’m still wandering down the corridors of memory. Stumbling perhaps. It’s a dreamy place I’m in and I’m not yet ready to relinquish it. Thessaloniki, Salonika … what was its magic? Was it the right amount of decay versus newness? Old visions merging into the new? The people? Perhaps it was the space in which to walk, empty but not vacant.

    Modiano Market. A vast roof above, still functioning stalls. Vegetables. Eggs. Meat. Cheese. A burst of voices, laughter. A flash of a smile. Then a beautiful silhouette. Her heels clatter on the stone. Her shadowed figure merges with the light at the end of the corridor. Cafes, tavernas, mini ouzeri clustered beneath the decrepit canopy.

    More signs I can’t read. This is intriguing. I want to come back. But it is shuttered at night when I return though, drowned in shadow, and locked. Next time, stay for lunch.

    The architecture of dreams. The crumbling and the cracked. The smooth walled and restored. Soaring ceilings. Fresh paint. Just the right amount of quirk.

    A wine bar named after Hermes, the first craftsman, the first intelligencer, the first alchemist. Didn’t sample the food, but the beer works. The dining locals seem pleased. A crowd worthy of more than a glance. Animated faces. Families. Couples. Cigarette smoke shot through with late afternoon sun. This too is a place worth returning to.

    An interesting couple. He’s black clad, alternative, she’s pretty, flashing eyes and a crinkling burn scar on her arm she makes no attempt  to hide. They are backlit, spotlit almost, in the window. They are having too intense a conversation for me to interrupt. I’d like to take their photo, but the mood between them isn’t right, it seems. There’s a debate, maybe about trivial matters, maybe something serious. Best to leave them in their bubble.

    Thessaloniki light. It penetrates the windows, the buildings, the cracks. It has space to illuminate and bring alive anything it washes down on. The air  moves too. It is not thick or heavy, but fragrant with the sea and the perfume of trees. Perhaps it’s not so strange that the cigarette smoke never chokes or cloys.

    The photography museum. A well curated collection by Greek talent shooting the vastly different places across the Middle East, from Dubai to Cairo in a converted warehouse building. Just the right amount of despots and the downtrodden. A suitably stark cafe with a terrific view of the passenger terminal quay. More parents and children. A toddler kicks the table, shattering the peace with his father’s coffee cup. Nobody minds.

    Back to The Met. An international crowd. Greek. Turkish. Arab and African. Japanese. All dressed in expensive, well fitting clothes. Late afternoon drinks. I’m always greeted in Greek. I like this. English has infiltrated too much of the world, stolen too much of its mystery. I like hearing other languages, like codes waiting to be broken.

    The sun is falling. Time to put the camera down. Another dream awaits me in the room.

    This one I won’t photograph.

  • A Dream Named Thessaloniki

    April 2nd, 2012

    It has excited my imagination for some time, but I know very little about it. I know it’s Mustafa Kemal’s birthplace, but ironically not part of the great modern state he created. It’s often compared to Izmir. Its history, rich, significant … Greek, Roman, Ottoman, 20th century, Jewish. It’s a port city, Aegean, named after the princess born on the day of a great Macedonian victory.

    To hell with guidebooks. Wander. Get a vague sense of direction and then to let all five, or is it six, senses lead me. I don’t want anybody else to discover for me. Why not relinquish the burdensome anxiety that something will be missed without Fodor’s or Lonely Planet?

    Yes, I have expectations, but seeing how close one’s imagination stands up to reality is another pleasure. Thessaloniki … Salonika … Selanik? doesn’t disappoint. There are echoes of other port cities, Izmir, Beirut, common architectural details like shuttered windows, but this is a city with its very own feel. Perhaps it’s the imprint of that vast and important aforementioned history.

    The Greeks are a far more resilient people than the images on the nightly news would suggest of late. Despite their recent economic woes, the locals here seem very much up to the task of appreciating the kind of wealth that only their geography can provide. Everyone is concerned but overall, I sense resigned calm, not panic, not depression. Why waste sunlight and spring?

    Other things I notice … the choice of a single species of tree for each of the central streets. Sunlight spilling down on the wide sidewalks, filling the cracks in the cobblestone malls. Corners and alleys alive with a kind of decrepit charm. But mostly space … space without excess emptiness. Spaces creeping with interest and imagination. It’s not a big city, not especially crowded, but there a lot of places where the inhabitants can go out and enjoy themselves. And they’re full to capacity. Metal jugs of wine. Grilled sardines. Grilled cheeses. Clinking plates. Cigarette smoke spiraling up into the air. Greek voices suddenly penetrated by clamorous Turkish ones. The streets, the city continue to replenish themselves.

    Atriums. Passages. Shafts of blue colored light and then Hermes Bar. High ceilings, tall windows, long late afternoon light. More cigarette smoke. I need to find this place again. Is it fate that I’m brought to a bar named after the God of all alchemists? And no, I can’t tell you where it is, the card is in Greek. But its location is no longer a mystery withheld from me. It will not dissolve like a dream.

    The vastness of the Aegean washes in empty except for a handful of freighters. Olive trees toss in a salt-tinged breeze. Orange trees hang heavy with fruit. Children play at their parent’s feet. Teenagers gather to greet and gawk at each other across Aristotelous Square.

    Time to find another glass of wine. The economy is not thriving. Life is.